Thursday, July 31, 2008

Dominici – O3 Part 3


This installment is not only the last, it’s theoretically the best. The trilogy started acoustically. For the sequel, Charlie Dominici contracted with a plugged-in crew – members from SolidVision whose talent is inversely proportional to their fame (for the record, they are relatively unknown over here at this time).

Rather than make the endeavor lopsided on one end, he continues to progress. In the final chapter, he takes this into metal-heavy waters. Even so, the moat is covered in a layer of Greek fire and Napalm.

Before this article self-destructs, let’s flesh out what happens in Charlie’s harsh realm:

“King of Terror” is the quintessential calm before the storm. Once it’s passed through the Nordic gates of Valhalla, all bets are off.

As if literally doused in lighter fluid, the guitars are ablaze in “Liquid Lightning”. From start to finish, the bass drum tests the mettle of your subwoofer.

“Revelation” not only discloses a lions share of plot devices, it’s also one of my favorites. As much as I like it, this flammable piece precludes the overall highlight.

The real harbinger would be “Genesis”. Don’t let the title deceive you! This has some very rough patches. While the beginning is the end, its demise will be most welcome to heavy metal fans. Not to mention, “Klaatu barada nikto” is spoken before the unholy rollers decide to initiate extinction.

As for the remaining fare, the unmentionable perishables are just as nefarious and severe.

3 of 03 is nastier and louder than the prior two, but for the most part; Charlie Dominici is passionate about his message. He infers that the world has become a wasteland of prejudice and hatred. Rather than come out and say it, he brings us full circle in a story that’s a microcosm of these foolish wars, unfounded phobias and fears.

In my opinion, the second album was very good, but it’s a close call. This one is excellent, and if anything; it’s the most revealing of the series.

Ultimately, this trilogy is monolithic. Instrumentally, earlier parts were great; however, it was hard to tell if there was a point. With this release, it's now apparent there was a method to his madness. Truth be told, his machinations are made of one stone.

Go ahead and tune out from the important allusions that he makes. You’re reprimand and cost will be an opportunity lost to gleam from Dominici’s magnus opus. To any true enthusiast with a melodic appetite, that sort of penalty is bloody hell. Thankfully, all it takes is a cheap insurance policy, and it’s your choice to apply.

8.75/10

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